Sugar Shane Mosley beats Antonio Margarito: Fight Video
Sugar Shane Mosley beats Antonio Margarito: Fight Video
In his ninth-round knockout of Antonio Margarito, he turned the Tijuana Tornado into a harmless squall. This wasn’t a boxing match, it was a boxing lesson.
Mosley was supposed to lose this welterweight title fight Saturday night. To the victor went the World Boxing Assn. belt at 147 pounds. That was supposed to be Margarito, who looks and usually fights as if he’d just as soon stomp you as look at you. Instead, it went to the 37-year-old Mosley, who was supposed to be target practice for the seven-year-younger Mexican warrior.
But for eight rounds and 23 seconds of a ninth, Margarito was the target. As the fight went on, the only question became whether or not Mosley could continue landing power punches for a full 12 rounds. Turns out, that wasn’t an issue.
In the eighth, after Margarito had started fast and threatened to finally win a round, Mosley summoned up one more barrage of energy and hit his opponent with a flurry that finally knocked down a fighter who has been about as sinkable as a catamaran.
Wow. Shane putting sitting down and putting full power behind his shots.
Another classic boxing round robin: Miguel Cotto defeats Sugar Shane Mosley. Antonio Margarito defeats Miguel Cotto. Sugar Shane Mosley defeats Antonio Margarito.
The Rest is Up to You…
Michael Porfirio Mason
AKA The Peoples Champ
AKA GFK
The Guide to Getting More Out of Life
http://www.thegmanifesto.com
Sugar Shane Mosley defeats Antonio Margarito: Round by Round
For Pomona’s Shane Mosley, Saturday night marked the first return to the scene of his greatest victory, a thrilling split decision over Los Angeles’ favorite boxer, Oscar De La Hoya in 2000. A massive Staples Center crowd of 20,820 relished the pre-fight festivities as Mosley entered to T.I./Rihanna’s “Live Your Life,” and Tijuana’s Antonio Margarito came in as a traditional Mexican song played, bowing to the crowd with his arms folded in front of him. Then the fight was underway:
Round 1
* What happened: Mosley’s camp said they found pads containing flecks of a substance containing a “plaster of Paris” type substance in Margarito’s hand wraps, which were cut off and sealed for further inspection by the California State Athletic Commission. Mosley was the surprise aggressor, snapping some scoring jobs and barreling a nice right straight to the champion’s belly. Another good combination and nice right to the body by Mosley made it his round, which Margarito seemed to acknowledge with a late smile toward the challenger.
* Pugmire’s take: Mosley looked fresher than he has in a few fights. Wearing black shorts as he did against De La Hoya more than eight years ago, he fought as if he has indeed turned back time.
* Judges: Max De Luca: Mosley, 10-9; Dr. James Jen Kin: Mosley, 10-9; Nelson Vazquez: Mosley, 10-9.
Round 2
* What happened: Mosley keeps the momentum, banging a right-left to Margarito’s head. Margarito sneaks in a solid overhand right, but Mosley throws him off and clearly is not intimidated by Margarito’s champion status.
* Pugmire’s take: Margarito looks as unprepared as Mosley was when he first faced Vernon Forrest after beating De La Hoya all those years ago
* Judges: De Luca: Mosley, 10-9; Jen Kin: Mosley, 10-9; Vazquez: Margarito, 10-9.
Round 3
* What happened: Mosley starts strong again with a scoring right and jab. Margarito charges forward and stings Mosley, who might be bleeding under the left eye. A big Mosley left is followed by his productive jab, and a nice combination to the head by Mosley is followed by a stiff right to Margarito’s chin. Three more strong scoring shots make the round Mosley’s.
* Pugmire’s take: Now, we’re three rounds deep, and Mosley is still charging, looking like the far sharper boxer.
* Judges: De Luca: Mosley, 10-9; Jen Kin: Mosley, 10-9; Vazquez: Mosley, 10-9.
Round 4
* What happened: Margarito’s steel chin is getting tested. Mosley unleashes an impressive flurry, starring two big rights. Margarito is forced to tie Mosley up to slow one barrage, but the Pomona product is teeing off, capping the round with a wicked overhand right to Margarito’s punished mug.
* Pugmire’s take: Mosley clearly still has world-class skills, and his training camp under Bernard Hopkins’ trainer Nazim Richardson did, as they said, produce a game plan of perfection.
* Judges: De Luca: Mosley, 10-9; Jen Kin: Mosley, 10-9; Vazquez: Mosley, 10-9.
Antonio Margarito VS Sugar Shane Mosley Prediction
Tonight’s showdown between welterweights Antonio Margarito (37-5, 27KO’s) and ‘Sugar’ Shane Mosley (45-5, 38KO’s) should go down as nothing short of an absolute war! This epic battle pairs the former king of the welterweight division and the man who currently owns the title. Fortunately for fight fans around the globe this one won’t be a pay-per-view telecast because this fight embodies everything a fan of the sport would want to see, and everything those borderline fans need to see to make a final conversion. As we prepare to see this potential “fight of the year” candidate unfold, we take a last glimpse at “keys to victory” for each man, four potentially pivotal elements surrounding the fight in our “4 to explore” segment, and finally, an official prediction.
Antonio Margarito – Keys To Victory: For Antonio Margarito, things boil down to the two P’s in the pod. Pressure and patience. Margarito will need to exercise that same iron-clad will we saw against Cotto that basically exudes the words “if you won’t fall now, we can always yell timber later”! Mosley will go to the body and do many other things to frustrate him, but as long as Margarito maintains the poise he did against Cotto, it’ll be all for not. One other thing that will be pivotal for Margarito is his ability to cut off the ring and nullify escape angles that Mosley will undoubtedly pursue when things start to get hot.. Later in the fight, another key to victory for Margarito will come with his patented uppercut. Mosley is susceptible to the quick body-head combination, particularly on the left side. If Margo can set the trap early by landing the right jab, then follow it up with a left hook to the body and the right uppercut, we may see Mosley more stunned than we ever have. Mosley has been susceptible to big right hands fairly often in the past, so if he comes in expecting it, it won’t be there for Margarito as easily. If Margarito lays the traps properly, he will get the opportunity to land his ‘money’ shot – the uppercut, which is effective with both hands – and potentially get Shane in trouble. All of these things are vital, but if Margarito can somehow find a way to stick to this gameplan and remain patient with pressure, there’s no way he loses this fight.
Antonio Margarito Highlight/Tribute Video
Shane Mosley – Keys To Victory: For Shane Mosley, there are a number of things that will be key for him, but one thing in particular could outweigh them all. That one thing is his current mindset. A man in the midst of steroid allegations and family struggles that appear to be headed to divorce court isn’t exactly the guy you want to sit down at a table with a number two pencil and and a scan-tron to take the biggest test of his life. Most professionals would feel they’d be able to “put things to the side” when preparing for such an event, but lets be real, that’s indeed too much weight for one brain to take. Assuming he’s able to move beyond that concern, the next major key for Mosley is gonna be his ability to turn the tides on Margarito. Nasim Richardson made Bernard Hopkins do that to Kelly Pavlik. I expect the same gameplan tonight. Some think footwork for Mosley would be more vital and for a brief while it may, but the best results for him will come if he can disengage the ‘bomb’ by using its main ingredient against it. No one – (in recent times) – has ever made Margarito fight going backwards. He was able to force Cotto (another fighter who never experienced that either) to do the same and it paid dividends for him. Mosley will have to press the action at points and hold his ground firmly. The speed of Mosley and his rapid combinations will allow him to potentially get the nod with the judges in close rounds, so if he’s able to stand his ground and not be pushed back too much for too long, that’ll effectively take away the whole ‘effective aggression’ argument from Margarito which is his lifeline against a guy who’s easily faster than him. If Mosley can stay in the pocket enough to land combinations and not be pushed around, he will do enough in the mind of the judges to solidify a victory.
A few days ago, El Miz tipped me off on Kenzo Digital’s City of God’s Son (click to download the project for+ free).
Then my little brother, Nicholas Alfonso Mason, AKA The Jaguar, emails me telling me that his friend (and mine) worked on City of God’s Son.
I just checked out the trailer. Looks crazy. And dope. And crazy dope.
“City of God’s Son” Trailer – Kenzo Digital – www.CityofGodSon.com
Kenzo is the apprentice of world-renowned video artist Nam June Paik and has had films screened at both the TriBeCa and Mill Valley Film Festivals. He served as Director of COGS and co-wrote the project with Academy Award-nominated writer/director Victor Quinaz.
COGS (City of God’s Son) is quite unique. It can be described as an epic, a musical, a soundscape, a movie for the blind, an art installation and a coming-of-age story. Kenzo also refers to COGS as “viral musical sound art.” COGS is a blend of multiple media and art genres and it explores new grounds for unconventional storytelling and ultimately gives rise to what Kenzo terms the world’s first “Beat Cinematic”. Kenzo arrived at this term by combining various mediums including 3D audio, multiple musical genres, and sound bites. Using some of hip-hop’s and film’s greatest talents (including Jay-Z, Nas, Biggie Smalls, Samuel L. Jackson and Joe Bataan), his aim is to create his own cross-medium ensemble cast, and out of many mediums, to create something epic and new.
Hip-hop is the perfect choice for this because, just like COGS itself, hip-hop is a genre created using only the resources available, and re-contextualizing them to create something bold and innovative. In effect, Kenzo aims to redefine remix culture, through creating a Quentin Tarantino-esque piece of pop art that uses 90’s hip-hop culture as its palette. More than just a remix or mash-up, COGS comments on the icon of the gangster, the media obsession with this character, and its function within hip-hop culture. An homage to arguably hip-hop’s most culturally potent era, COGS explores the mythology behind both musical icons and gangster film icons alike, and creates a world in which the two co-exist. COGS is part Sin City, part Orson Welles’ War of the Worlds radio programming, and part Nas’ Illmatic. Essentially, COGS ties these works together by playing off of the listener’s familiarities with these genres and re-contextualizing them within a coming-of-age crime drama set in a mythical, jungle metropolis.
Set in a world of magical realism, the story explores the relationship between father and son and the struggle to define themselves in a world where their futures appear pre-ordained. COGS riffs on the icon and myth of the gangster used generously throughout the history of hip-hop and American pop culture. The story embraces both the dichotomy of such societal reverence and media obsession with the moral quandary such a lifestyle calls into question. By using the genre’s most influential artists and manipulating them into characters that humanize and, at times, contradict their media persona, COGS aims to dissect concepts of machismo and push the envelope for using music as a more directly narrative medium. It also interweaves many classic crime films into the sound design and score of the piece, melding together the world of film with music into a new format of super visceral soundscape and musical narrative. In all of this there is the unique invention of self-proclamation; artists labeling themselves, touting beefs with other artists, and challenging the status quo to a sort of existential shout-out session. By exploring these themes within a familiar story structure COGS hopes to dissect the phenomena and redefine remix culture.
January 20th and the Inauguration of Barack Obama as the 44th President of the United States. In many respects, the world looked very different from two years ago when the idea of a black President seemed like a distant hope, when a nation was high on credit & flashing bling as if debt didn’t exist.
Back then, the Dow was at 12,580, on the way to 14,000 that summer. Bankers were “balling out”, lip sinking to “bringing sexy back” while bottle service was reaching the apex of America’s nightlife nightmare. General Motors was making money selling cars even while reporting some concerns about “nonprime mortgages” held by its financing division. 50 cent vs. Oprah. And the greatest worries about China and India were that their economies were growing so fast they could overheat.
Fast forward to present:
Our economy is badly weakened, a consequence of greed and irresponsibility on the part of some, but also our collective failure to make hard choices and prepare the nation for a new age. Homes have been lost; jobs shed; businesses shuttered. Our health care is too costly; our schools fail too many; and each day brings further evidence that the ways we use energy strengthen our adversaries and threaten our planet.
Less measurable but no less profound is a sapping of confidence across our land – a nagging fear that America’s decline is inevitable, and that the next generation must lower its sights.
Today I say to you that the challenges we face are real. They are serious and they are many.
(Obama, Inaugural Address)
“…greatness is never a given. It must be earned.”(Obama, Inaugural Address)
The challenges the G faces are somewhat different in this sobering new landscape, but the fundamentals of the Game still remain the same. The truth is, G’s work well in any given circumstance — Veins of Ice and a diverse skill set unique to upheaval & adversity: agility, adaptability, smarts, smoothness, and belief in greatness. Real Game floats above the fray, Buddhist monk mentals & clarity of focus. International bases of operation on tropical islands with sunshine 365 days a year also play a key part in the Game.
Over the past few years, the U.S. government, originally crafted as a system that would serve the interests of the People, has devolved into a system of plutocracy where corporations control both the government and the People. Our nation’s policies on health, finance, environment, national defense and even education are increasingly slanted towards enriching corporations, usually at the expense of the People.
The only difference between a G and a Wall St. broker is that the latter is Government assisted money laundering, while the former — which gives back to small business — is prosecuted as criminal.
“Capitalism is the legitimate racket of the ruling class.” (Al Capone)
But with Barack’s message of hope and with a willingness to find meaning in something greater than ourselves, it mandates a shift in the way we think about our goals, our range of action, and our commitment to values beyond self-enrichment. After all, our life on this small bubble is short… what kind of legacy are you going to leave behind?
“The test of our progress is not whether we add more to the abundance of those that have much; it is whether we provide enough for those who have too little.” FDR, Inaugural Address 1933
“A nation cannot prosper long when it favors only the prosperous.” Obama, Inaugural Address 2009
With this blessing from two great Presidents, I’m going to take Obama & FDR’s call to action and inject cash back into the economy and to the People who need it. To the struggling exotic dancer trying to make ends meet for college (education); to the Casino’s and Luxury sector hit by slow times (tourism & hospitality); perfect the ‘art of the grease‘ (arts); donate regularly to charity …and what more noble pursuit than that of robbing yuppie drug dealers like a modern day Robin Hood?
Welcome to the new Era of Responsibility, play your part.
I’m thinkin of a master plan
Cause ain’t nothin but sweat inside my hand
Cause everything’s possible, nothing’s impossible
Gotta keep ahead, gotta keep my head
– Tafari
aka By the People for the People
aka Putting the G in Gentlemen
